Chart-topping hits from musical theatre
By Sophie Thomas Posted on Jun However, some songs in musical theatre have been so successful that they have topped the charts across the world and have been covered by artists including Mariah Carey and Whitney Houston. Take a listen to these chart-topping hits that were first performed in musicals and have since become high-selling records in their own right and hear them in their show. The song won best original song at the Academy Awards, and has since been covered by Jason Derulo and Luis Fonsi. As the song tells of their romance and commitment to protect one another, audiences around the world fell in love with the lyrics and lush melody, the song grew in popularity when covered by Sarah Brightman and Cliff Richard in , charting at number 3 in the UK. Selling over one million copies worldwide and in music charts across four continents, the combination of soulful melodies and world-class performers ensured this song was the pinnacle of The Prince of Egypt. Staying at number one in the UK charts for two weeks, it became one of the smash hits of the year, selling over , copies. Featuring original music by Alan Menken and lyrics by Tim Rice, the song sees the pair fly a magic carpet as they tell of their feelings for one another. Performed by Mary Magdalene as she reflects upon her feelings towards Jesus, later versions have also tapped into the sentimental, loving lyrics.
What is the modern American musical theater? What are its best songs? When does it even most properly begin? Is there even one genuinely good song in Phantom?
There is no better style of music than show tunes. Some of the songs are so fantastic that they warrant special recognition. Two twin boys are separated at birth by poverty, with their mother unable to raise both babies. We know from the start what the outcome will be, as a superstition predicts that, if they find out about their true identities, they will die. While Henry Higgins just keeps shouting at her to fetch his slippers, Freddy sings that he loves Eliza Doolittle for being herself. The team behind it is killer Dorothy Fields, Irving Berlin and Rodgers and Hammerstein and ensured the success of this tune far beyond the boundaries of the musical. Cell Block Tango has the six or is it five?